I was
reasonably happy with the work that I submitted for Assignment Two; and the
feedback was good, too. So, in many
respects, there isn’t much to say that I didn’t say at the time of
submission. I considered some different
options for the book cover at the time, and some ways in which I could present
my chosen concept differently. I’m not
sure there is anything to be gained by pursuing any of those further at this
stage. The ‘coffin/texting’ combination
was a good one and would probably have good potential, but as I concluded at
the time, it would require a lot of organising.
I don’t see that as a worthwhile investment at this point.
I did, in my initial
reaction to the tutor feedback, compare what I’d done to the ‘still life’ genre
(which I also reflected on in my response to an exhibition at the National
Media Museum). I might have been stretching the definition of ’still life’
somewhat, but I do find the whole idea of constructing conceptual ideas in a
studio context quite interesting – which certainly fits with what I did on Assignment
Two. Consequently, I have done some
further experimentation, following a not dissimilar approach with light, scale
etc. In fact, it is entirely about experimenting with light, shadow, colour and
form – a true abstract approach. I’m not
really sure what these are or what they’re about, beyond that idea of abstract
experimentation. But I find the work
interesting and have printed a couple at A3 size and hung them on the wall –
just to see how my and other people’s responses develop over time. Here are some examples.
If anyone seeing these does have any form of response (whatever it might be!) I would be interested.
I'm particularly drawn to the top one. I like the simplicity and balance in it - the colour depth and tone work well with the shape.
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