I got the
feedback on Assignment Two just over a week ago, but hadn’t had an opportunity,
until now, to record reflections in here.
Some of the opening words caused initial apprehension; ‘... you may be
disappointed ...’ and ‘... to be quite honest ...’ plus ‘...I’m really
struggling ...’ didn’t augur well for what might follow. But when the latter phrase led into ‘... to
think of suggestions to improve upon this ...’ and the words ‘... fantastic
piece of work ...’ came shortly after, I realised I was being led slightly down
the garden path!! Thanks, Jesse! I’ve
broken with the normal code of modesty and quoted because, let’s be honest,
that sort of feedback doesn’t come too often so ‘what the hell’ let’s get out
the trumpet and blow it!
There are,
of course and despite the intro, a few good suggestions e.g. some other lines
of research, some interesting angles on the design, and a comparison that I
like – with Edgar Martins’ night landscapes on beaches http://www.edgarmartins.com/ (‘The
Accidental Theorist’ project). I’ve seen
and enjoyed Martins’ work before, including some of the beach images, but I
hadn’t made this connection. And I hadn’t
really studied him - I need to look more closely.
One other
useful thought has come to my mind as a result of this positive feedback. Looking back over my studies with OCA, I have
consistently got this sort of response (maybe not quite so glowing!!) when I’ve
been working in this sort of ‘controlled’, ‘studio-like’ manner – strong but
controlled lighting. Way back in ‘Art of
Photography’ – photographing a queen scallop shell for the ‘lighting’
assignment and the ingredients of ‘flapjack’ as a kind of still life image, for
example. The Martins’ images have a kind
of ‘still life’, constructed look about them.
I do enjoy shutting myself away and playing around with compositions,
lighting, framing, and I wonder whether – further down the line at Level Three,
for example – it might be interesting to explore ‘conceptual still life’, which
I guess is what this book cover amounts to.
Really
encouraging to get good feedback; I’m definitely not disappointed; now on to
Assignment Three, which is a ‘Photo Story’ or ‘Photo Essay’. I’m going to Paris Photo week after next,
which might well turn out to be the subject matter; but I don’t have the time
to work through exercises first. So it might
be a case of capturing the images first – my take on the experience - and then
structuring the story some weeks later.
Well done on the positive feedback Stan, indeed quite a conceptually driven image you have composed which tied very well in to the title of the book. On a different note, I'm sorry to hear you're 'stepping' down as OCASA Chief. You have done a stirling job and we will miss your pragmatic approach from the top.
ReplyDeleteRegards
Penny