Amongst other matters that will come up later on here, my telephone tutorial session on 15th November included discussion about the form of my submission for Assignment Five. Since the last post on here, I have:
· Had a trial professional print made of image 5, Sydney Cricket Ground (chosen because it had the most 'challenging' shades of white in the background), done by Peak Imaging, a C-print, at 393mm by 588mm, on Fuji Matt, mounted on 2mm card.
· Compared that with my own inkjet prints, made on the Epson R2880, with its Ultrachrome pigment inks, using Epson Professional Matte paper, at A3 plus. Beautifully printed and finished as the big C-print might be, I conclude that the inkjets are marginally better for this assignment:
§ Better contrast, giving very sharp edges and a greater sense of 'physicality' in the 'assemblies'.
§ More vivid colours, which also suits these images, I believe;
§ A wholly non-reflective surface.
Comparison of the surfaces - Epson Matte left & Fuji Matt right
2mm card mounting works well & provides a highly professional finish
The combined effect is that the inkjets get closer to the sense that this is an actual collage, rather than an image of a collage.
· Discussed this conclusion with my tutor, who can understand the reasoning and who has discouraged me from agonising too much about the issue and about the size of the prints, at this level of submission.
· We also discussed the idea of doing my own mounting and maybe experimenting with dry-mounting, using an iron! Having watched some videos (admittedly not professionally presented) on You-tube, I have some doubts, but will come back to that.
· Considered professional inkjet printing & had a sample pack of papers from Printspace. Interestingly, only two papers from the pack caught my eye. One was the Fuji Matt that the Peak trial was done on - with the issues above - and the other was Hahnemuhle Photorag, for its wholly matte surface. The Hahnemulle is beautiful paper, but it also has a cream look, compared to the strong white colour of my Epson Professional Matte. The Hahnemulle sample print is a mono, and I can see how it performs superbly for that purpose, but I am concerned that it will not be so good for the vivid colours in my own images.
So, all-in-all, I end up back with my own prints, but with the need to try doing my own mounting - perhaps. I do not want the result to look amateurish, obviously, but I plan to do some experimentation. I also have some spray mount, so might give that a try, too.